——冯远、屈健、刘万鸣、贾广健、田黎明、牛克诚“景行行止——中国画名家学术邀请展”在北京展出
景行行止—中国画名家学术邀请展在北京展出
Jinghang Xingzhi — Academic Invitational Exhibition of Famous Traditional Chinese Painting Artists is on display in Beijing
中国文化人物主编 王保胜/摄影报道
冯 远 Feng Yuan
十二、十三届全国政协委员，历任中国美术学院副院长、文化部教育科技司司长、艺术司司长、中国美术馆馆长、中国文联副主席、清华大学美术学院名誉院长、中央文史研究馆副馆长、清华大学艺术博物馆馆长、上海美术学院院长、中国美术家协会名誉主席。
He is a member of the 11th, 12th, and 13th National Committees of the Chinese People’s Political Consultative Conference (CPPCC). He has successively served as Vice President of the China Academy of Art, Director-General of the Department of Education, Science and Technology of the Ministry of Culture, Director-General of the Department of Art of the Ministry of Culture, Director of the National Art Museum of China, Vice Chairman of the China Federation of Literary and Art Circles (CFLAC), Honorary Dean of the Academy of Arts & Design, Tsinghua University, Deputy Curator of the Central Research Institute of Culture and History, Director of the Art Museum of Tsinghua University, Dean of the Shanghai Academy of Fine Arts, and Honorary Chairman of the China Artists Association.
孔子授徒 58×82cm 冯远作品
“Confucius Instructing His Disciples” (58×82cm) by Feng Yuan
孟子释仁 58×82cm 冯远作品
“Mencius Explaining Ren" (58×82cm) by Feng Yuan
尧舜禅让 58×82cm 冯远作品
“The Abdication of Yao and Shun” (58×82cm) by Feng Yuan
苏武牧羊 58×82cm 冯远作品
“Su Wu Herding Sheep” (58×82cm) by Feng Yuan
姜尚求渔 58×82cm 冯远作品
“Jiang Shang Seeking Fish” (58×82cm) by Feng Yuan
孙武演兵 58×82cm 冯远作品
“Sun Wu Drilling Troops” (58×82cm) by Feng Yuan
愚公移山 58×82cm 冯远作品
“Yu Gong Moving the Mountains” (58×82cm) by Feng Yuan
伯乐相马 58×82cm 冯远作品
“Bo Le Appraising Horses” (58×82cm) by Feng Yuan
荀子劝学 58×82cm 冯远作品
“Xunzi Exhorting to Learning” (58×82cm) by Feng Yuan
老子问道 58×82cm 冯远作品
“Laozi Seeking the Dao” (58×82cm) by Feng Yuan
屈 健 Qu Jian
中国美术家协会分党组书记、驻会副主席，二级教授、博士生导师。历任延安革命纪念馆美术干部，西北大学艺术学院副院长、院长、公共艺术教育中心主任（兼），中国文艺评论家协会理事，中国美术家协会理事，陕西省美术家协会副主席，西安美术学院党委委员、副院长、史论系主任（兼），中国文联首批特约研究员。
He is Secretary of the Party Leadership Group and Resident Vice Chairman of the China Artists Association, Second-level Professor, and Doctoral Supervisor. He has successively served as an art cadre at the Yan’an Revolutionary Memorial Hall, Vice Dean and Dean of the School of Art of Northwest University, Director of the Public Art Education Center (concurrently), Director of the China Literature and Art Critics Association, Director of the China Artists Association, Vice Chairman of the Shaanxi Artists Association, Member of the Party Committee, Vice President and Director of the Department of Art History and Theory (concurrently) of Xi’an Academy of Fine Arts, and one of the first contracted researchers of the China Federation of Literary and Art Circles (CFLAC).
莲出泥而不染 69×47cm 2025 屈健作品
“The Lotus Emerges Unstained from the Mud” (69×47cm) by Qu Jian in 2025
一茎新荷带雨香 69×47cm 2025 屈健作品
“A Single Fresh Lotus Stalk Carries the Fragrance after Rain” (69×47cm) by Qu Jian in 2025
花王 69×47cm 2025 屈健作品
“The King of Flowers” (69×47cm) by Qu Jian in 2025
竹下觅诗 69×47cm 2025 屈健作品
“Seeking Poetry Beneath the Bamboo” (69×47cm) by Qu Jian in 2025
初雪 69×47cm 2025 屈健作品
“First Snow” (69×47cm) by Qu Jian in 2025
云横秦岭起苍茫 44X24cm 2025 屈健作品
“Clouds Stretch across the Qinling Mountains, Rising into a Vast, Boundless Expanse” (44×24cm) by Qu Jian in 2025
白莲 44X24cm 2025 屈健作品
“White Lotus” (44×24cm) by Qu Jian in 2025
披云似有凌霄志 44X24cm 2025 屈健作品
“Clad in Clouds, It Seems to Hold the Aspiration to Reach the Heavens” (44×24cm) by Qu Jian in 2025
石榴 44×24cm 2025 屈健作品
“Pomegranate” (44×24cm) by Qu Jian in 2025
青山欲雨 44×24cm 2025 屈健作品
“The Green Mountains Are about to Rain” (44×24cm) by Qu Jian in 2025
刘万鸣 Liu Wanming
第十三、十四届全国政协委员，第十三届民盟中央委员、中国美术家协会副主席、中国国家画院院长、中国美术家协会中国画艺委会副主任、博士生导师、中国文化遗产研究院研究员。历任中国艺术研究院研究生院常务副院长、中国艺术研究院中国画院常务副院长、中国国家博物馆副馆长。
He is a member of the 13th and 14th National Committees of the Chinese People’s Political Consultative Conference (CPPCC), Member of the Central Committee of the China Democratic League (CDL) for the 13th term, Vice Chairman of the China Artists Association, President of the China National Academy of Painting, Deputy Director of the Traditional Chinese Painting Art Committee of the China Artists Association, Doctoral Supervisor, and Researcher of the Chinese Academy of Cultural Heritage. He has successively served as Executive Vice President of the Graduate School of the China National Academy of Arts, Executive Vice President of the Traditional Chinese Painting Academy of the China National Academy of Arts, and Deputy Director of the National Museum of China.
峦音 45×45cm 2025 刘万鸣作品
“Luan Yin”（ 45×45cm） by Liu Wanming in 2025
大吉 42×30cm 2025 刘万鸣作品
“Great Fortune” (42×30cm) by Liu Wanming in 2025
清闲 30×45cm 2017 刘万鸣作品
“Leisure” (30×45cm) by Liu Wanming in 2017
静潭 20×17cm 2025 刘万鸣作品
“Quiet Pond” (20×17cm) by Liu Wanming in 2025
忘机 45×33cm 2025 刘万鸣作品
“Freedom from Cunning Thoughts” (45×33cm) by Liu Wanming in 2025
肖像写生 45×33cm 2025 刘万鸣作品
“Portrait Sketching” (45×33cm) by Liu Wanming in 2025
人物 38×30cm 2025 刘万鸣作品
“Character” (38×30cm) by Liu Wanming in 2025
雨润石隐 45×45cm 2025 刘万鸣作品
“The Rain Moistens the Hidden Stones” (45×45cm) by Liu Wanming in 2025
大吉祥 40×35cm 2020 刘万鸣作品
“Great Auspiciousness” (40×35cm) by Liu Wanming in 2020
秋籁 20×17cm 2025 刘万鸣作品
“Sounds of Autumn” (20×17cm) by Liu Wanming in 2025
贾广健 Jia Guangjian
中国美术家协会副主席，中国国家画院研究员、花鸟画研究所名誉所长，中国传媒大学中国画研究院副院长，中国美协中国画艺委会副主任，中国工笔画学会副会长。二级教授，博士生导师。曾任天津美术学院院长、教授，天津画院院长。
He is Vice Chairman of the China Artists Association, Researcher of the China National Academy of Painting, Honorary Director of the Flower-and-Bird Painting Research Institute (of the China National Academy of Painting), Vice Dean of the Traditional Chinese Painting Research Institute of Communication University of China, Deputy Director of the Traditional Chinese Painting Art Committee of the China Artists Association, and Vice President of the China Fine Brushwork Painting Society. He is also a Second-level Professor and Doctoral Supervisor. He once served as President and Professor of Tianjin Academy of Fine Arts, and President of Tianjin Academy of Painting.
溪塘过雪 170×218cm 1999 贾广健作品
“Snow Over the Stream and Pond” (170×218cm) by Jia Guangjian in 1999
忆得昔年此滋味 32×41cm 2004 贾广健作品
“I Recall the Taste of Those Bygone Years” (32×41cm) by Jia Guangjian in 2004
芳华处处同 45×68cm 贾广健作品
“Youthful Bloom Abounds Everywhere” (45×68cm) by Jia Guangjian
居高声自远 45×68cm 贾广健作品
“Standing High, One's Voice Reaches Far” (45×68cm) by Jia Guangjian
玉堂富贵图 45×68cm 贾广健作品
“Painting of Jade Hall and Prosperity” (45×68cm) by Jia Guangjian
生生无限意 50×50cm 贾广健作品
“Endless Vitality Holds Boundless Meaning” (50×50cm) by Jia Guangjian
胸心似玉 50×50cm 贾广健作品
“A Heart as Pure as Jade” (50×50cm) by Jia Guangjian
腹里能容数百人 50×50cm 贾广健作品
“Its Belly Can Hold Hundreds of People” (50×50cm) by Jia Guangjian
夏荷图 50×50cm 贾广健作品
“Painting of Summer Lotus” (50×50cm) by Jia Guangjian
年年红芍药 45×68cm 贾广健作品
“The Red Peonies Bloom Year After Year” (45×68cm) by Jia Guangjian
田黎明 Tian Liming
第十二、十三届全国政协委员，中国美术家协会中国画艺委会主任、中国艺术研究院国画院教授、中国传媒大学中国画研究院副院长。曾任中国国家画院副院长、中国艺术研究院副院长兼研究生院院长。
He is member of the 12th and 13th National Committees of the Chinese People’s Political Consultative Conference (CPPCC), Director of the Traditional Chinese Painting Art Committee of the China Artists Association, Professor at the Traditional Chinese Painting Academy of the China National Academy of Arts, and Vice Dean of the Traditional Chinese Painting Research Institute of Communication University of China. He once served as Vice President of the China National Academy of Painting, and Vice President of the China National Academy of Arts, and concurrently held the post of Dean of its Graduate School.
温厚的山 97×210cm 2024 田黎明作品
“The Gentle Mountain” (97×210cm) by Tian Liming in 2024
晨光 35×70 cm 2020 田黎明作品
“Morning Light” (35×70 cm) by Tian Liming in 2020
雷锋 182.2×95.5cm 2001 田黎明作品
“Lei Feng” (182.2×95.5cm) by Tian Liming in 2001
窗外 282.6×149.2cm 2014 田黎明作品
“Outside the Window” (282.6×149.2cm) by Tian Liming in 2014
高士图 55×55cm 2019 田黎明作品
“Painting of a Noble Scholar” (55×55cm) by Tian Liming in 2019
心清图 35×70 cm 2020 田黎明作品
“Painting of a Clear Mind” (35×70 cm) by Tian Liming in 2020
物远图 35×70 cm 2020 田黎明作品
“Painting of Distant Scenery” (35×70 cm) by Tian Liming in 2020
清风 58.4×67.8cm 1995 田黎明作品
“Fresh Breeze” (58.4×67.8cm) by Tian Liming in 1995
淡 36×36cm 2022 田黎明作品
“Faint” (36×36cm) by Tian Liming in 2022
童年的记忆46×69cm 2010 田黎明作品
“Childhood Memories” (46×69cm) by Tian Liming in 2010
牛克诚 Niu Kecheng
第十三届、十四届全国政协委员，中国美术家协会理事、中国美术家协会理论委员会副主任、中国艺术研究院国画院院长、《美术观察》主编、中国艺术研究院学术委员会副主任、全国政协书画室副主任、国务院学位委员会美术学科组委员。
He is Member of the 13th and 14th National Committee of the Chinese People’s Political Consultative Conference (CPPCC), Director of the China Artists Association, Deputy Director of the Theory Committee of the China Artists Association, Dean of the Traditional Chinese Painting Academy of the China National Academy of Arts, Chief Editor of Art Observation, Deputy Director of the Academic Committee of the China National Academy of Arts, Deputy Director of the Calligraphy and Painting Office of the National Committee of the CPPCC, and Member of the Fine Arts Discipline Group of the Academic Degrees Committee of the State Council.
苍岩清涧 68×68cm 牛克诚作品
“Clear Gorges and Fresh Streams” (68×68cm) by Niu Kecheng
郁翠 180×97cm 2022 牛克诚作品
“Lush Greenery” (180×97cm) by Niu Kecheng in 2022
岩崇霞映 98×53cm 2020 牛克诚作品
“The Lofty Cliffs Glow in the Rosy Clouds” (98×53cm) by Niu Kecheng in 2020
探花信 66×66cm 2012 牛克诚作品
“Letter Inquiring About News of Flowers” (66×66cm) by Niu Kecheng in 2012
重峦暖风 68×68cm 牛克诚作品
“Warm Breeze Among Layered Mountains” (68×68cm) by Niu Kecheng
春声 68×68cm 牛克诚作品
“Spring Sounds” (68×68cm) by Niu Kecheng
春山雨歇 68×68cm 牛克诚作品
“The Spring Mountains After the Rain Stops” (68×68cm) by Niu Kecheng
翠谷春晴 68×68cm 牛克诚作品
“The Green Valley on a Clear Spring Day” (68×68cm) by Niu Kecheng
晴峦态度 68×68cm 牛克诚作品
“The Demeanor of Sunny Hills” (68×68cm) by Niu Kecheng
中国文化人物（主编 王保胜）由中国艺术研究院国画院学术支持，北京市公园管理中心、中国文化人物杂志社主办，北京市景山公园管理处承办的“景行行止——中国画名家学术邀请展”，将于2025年9月19日至10月22日在景山公园观德殿（正殿及东西配殿）开展。 展览特邀冯远、屈健、刘万鸣、贾广健、田黎明、牛克诚六位当代中国画坛德艺双馨的艺术大家，展出人物、山水、花鸟佳作50余幅，全程免费向公众开放。
选址景山：古今交融的文化深意
景山公园坐落于北京内城南北中轴线中心点，作为元、明、清三代皇宫后苑，曾是北京城的制高点，承载着厚重的历史文脉。此次展览选址观德殿，暗含巧妙的文化呼应——《诗经・小雅》中“高山仰止，景行行止”的名句，既承载着中华民族对高尚品德的敬仰与对光明大道的追寻，其“景”字又与“景山”之名暗合。四时更迭的景山美景与名家画作相映，营造出“古韵今风”的独特观展氛围。展览标题“景行行止”便由冯远先生题写，进一步强化了这一文化联结。
六位名家：各展所长诠释中国画笔墨精神
此次参展的六位艺术家，以差异化风格诠释中国画的多元魅力，彰显“文以载道”的艺术理想：
冯远先生擅长历史题材与现实生活的水墨人物画，此展呈现了他十年前创作的历史题材作品，涵盖孙武演兵、伯乐相马、老子问道、孔子授徒、孟子释仁等主题，生动传递中华传统文化中的圣贤精神与仁义风骨，其作品兼顾笔墨与造型、形致与神韵。
屈健先生以写意花鸟、彩墨山水为长，注重笔墨写意韵致与墨色变化，深挖梅兰竹菊等传统题材的寓兴功能，作品兼具文人趣味与水墨画意，在写意艺术现代拓展中形成个人风格。
刘万鸣先生聚焦飞鸟鸣禽、走兽生灵的精微描绘，作品既有宋人绘画的精谨，又蕴含“素以为绚”的儒家哲理，古朴笔墨清雅灵动，指墨创作更显独辟蹊径。
贾广健先生深研明清写意花鸟与没骨画传统，尤其汲取“青藤白阳”与吴门画派精髓，将传统章法与现代构成融合，笔下藕节、秋瓜、红花、墨叶皆透着灵动清气与生机。
田黎明先生以阳光与空气环境下的人物意象为表现母题，将水汽中人物与自然的斑斓变化、自然光色融入空间叙事，提炼出迷朦空灵的艺术境界，实现传统文人精神的活化。
牛克诚先生在彩墨写意山水中纵深发掘传统色彩体系，衔接“五行”哲学与“五色”体系，驾驭色相色温，延续唐代“二李”北宗画风及浅绛、青绿山水传统，拓展东方审美意蕴。
公共属性：雅俗共赏的文化普及
展览紧扣“为人民而艺术”的理念，凸显公共文化服务属性。选址游人如织的景山公园，特意挑选六位艺术家的朴素写意小品展出，既保学术格调，又具观赏性，实现“雅俗共赏”；免费开放的形式，意在让更多公众在皇家苑囿的景致中，近距离感受中国画魅力，提升对传统文化的认知与热爱，践行“丰富人民高品质精神生活”的艺术使命。
特别设计：书法与砚台凸显传统美学
展览设置六大专题版块，每位艺术家围绕“景行行止”题写书法作品——“景行行止”“慕德”“慎独”“可也”“尚水”“观澜”，以六幅题字作为篇章核心，传递中国传统文化特有的美学精神。同时，展览特邀徽州“龙尾山房”设计制作纪念砚台，将六幅题字铭刻于一方大型龙尾籽料歙砚之上，砚石自然天成、朴实高古，陈列于现场供观众观赏，既呼应展览主题，也表达对艺术家艺品的敬意，为展览增添文人雅趣。
此次展览既是中国画坛的高品格学术集粹，也是传统文化走近公众的重要实践。通过名家佳作、特色设计与公共开放模式，展览将推动中国画艺术与中华美学精神的传承，为时代背景下传统文化的活化与发展提供生动样本。
The “Jinghang Xingzhi — Academic Invitational Exhibition of Famous Traditional Chinese Painting Artists”, supported by the Traditional Chinese Painting Academy of the China National Academy of Arts, organized by Beijing Municipal Administration Center of Parks and the Chinese Cultural Figures (magazine), and hosted by Beijing Jingshan Park Management Office, will be exhibited at the Guande Hall (Main Hall and East/West Side Halls) of Jingshan Park from September 19 to October 22, 2025. The exhibition features over 50 masterpieces of figure, landscape, and flower-and-bird paintings by six contemporary Chinese painting masters renowned for their moral integrity and artistic excellence: Feng Yuan, Qu Jian, Liu Wanming, Jia Guangjian, Tian Liming, and Niu Kecheng. Admission to the exhibition is free of charge throughout its duration.
Situated at Jingshan: The Cultural Significance of Blending Ancient and Modern Elements
Jingshan Park is located at the center of the north-south central axis in Beijing’s inner city. Once an imperial garden of the Yuan, Ming, and Qing dynasties, Jingshan Park was the highest point in Beijing and carries a profound historical and cultural heritage. The selection of Guande Hall as the exhibition venue implies a subtle cultural connection. The famous line, “To the high hills I looked; the great way I pursued” (gaoshan yangzhi, jinghang xingzhi, 高山仰止，景行行止), from the chapter “Minor Odes of the Kingdom” in the Book of Poetry·not only embodies the Chinese nation’s admiration for noble virtues and pursuit of the right path, but also echoes the “Jing” (meaning “scenery” or “great”) in “Jingshan” (Jingshan Mountain). The beautiful, ever-changing scenery of Jingshan, and the masterpieces by renowned painters complement each other, creating a unique exhibition atmosphere that combines “ancient charm with modern style”. The title of the exhibition, “Jinghang Xingzhi”, was inscribed by Feng Yuan, further strengthening this cultural link.
Six Renowned Artists: Showcasing Their Strengths in Interpreting the Spiritual Essence of Brushes and Ink in Chinese Paintings
The six participating artists interpret the diverse charm of Chinese painting in their own unique styles, demonstrating the artistic ideal of “conveying virtues through art”:
Feng Yuan excels at creating ink-wash figure paintings based on historical events and real life. This exhibition presents his historical works from a decade ago, which cover themes such as Sun Wu drilling troops, Bole appraising horses, Laozi seeking the Dao, Confucius teaching disciples, and Mencius explaining benevolence. These works vividly capture the essence of sages and the values of benevolence and righteousness in traditional Chinese culture. They strike a balance between brushwork and form, appearance and artistic conception.
Qu Jian specializes in freehand flower-and-bird paintings and color-ink landscape paintings. Emphasizing the artistic conception of freehand brushwork and the changes in ink colors, he deeply explores the symbolic significance of traditional themes such as plum blossoms, orchids, bamboos, and chrysanthemums. Integrating the literary taste of scholars with the artistic conception of ink wash, his works have formed a unique style in the modern development of freehand art.
Liu Wanming focuses on the exquisite depiction of flying and singing birds and beasts. His works not only possess the meticulousness of the Song dynasty paintings, but also embody the Confucian philosophy of “simplicity as splendor”. His simple, unsophisticated brushwork is elegant and vivid, and his finger-ink paintings are even more innovative and unique.
Jia Guangjian has in-depth research on the traditions of freehand flower-and-bird and mogu paintings of the Ming and Qing dynasties. He has especially absorbed the essence of two schools of painting: the Qingteng Baiyang (meaning “Blue Vine and White Sun”), represented by Xu Wei and Chen Chun, and the Wumen. By combining traditional composition with modern structure, the lotus joints, autumn melons, red flowers, and ink leaves in his works all exude vitality and a fresh, agile atmosphere.
Tian Liming focuses on images of people in sunlight and open spaces in his creations. He incorporates the colorful interplay of figures and nature under water vapor, natural light, and color into spatial narration. He refines a hazy, ethereal artistic realm and realizes the activation of the traditional scholar’s spirit.
Niu Kecheng deeply explores the traditional color system in color-ink freehand landscape paintings. He connects the “Five Elements” philosophy with the “Five Colors” system and masters hue and color temperature. He also inherits the Northern School painting style of the “Two Lis” (Li Sixun and Li Zhaodao) from the Tang dynasty, as well as the traditions of light crimson landscape paintings and green landscape paintings. Through these, he expands the aesthetic connotation of Oriental art.
Public Nature: Popularizing Culture for the Elegant and the Masses
The exhibition adheres to the concept of “art for the people” and highlights the nature of public cultural services. The exhibition maintains academic standards while ensuring ornamental value, achieving “appeal to both the elegant and the masses.” To do so, it chose Jingshan Park, a popular tourist destination, and specially selected simple, freehand, small-scale works by the six artists. The free admission is intended to allow more members of the public to experience the charm of Chinese painting up close in the scenery of the imperial garden, enhance their understanding and love for traditional culture, and fulfill the artistic mission of “enriching the people’s high-quality spiritual life”.
Special Design: Calligraphy and Inkstones Highlighting Traditional Aesthetics
The exhibition is organized into six special themed sections. Each artist has inscribed calligraphy works around the theme of “Jinghang Xingzhi” – including “Jinghang Xingzhi”, “Mude” (慕德), “Shendu” (慎独), “Keye” (可也), “Shangshui” (尚水), and “Guanlan” (观澜). These six calligraphy works serve as the core of each section, conveying the unique aesthetic spirit of traditional Chinese culture. The exhibition also features commemorative inkstones designed and produced by Huizhou “Longweishanfang” (龙尾山房). The six calligraphy works are engraved on a large-sized Longwei seed material She inkstone (a famous type of inkstone produced in She County, Anhui Province). This naturally formed inkstone is simple and of high antiquity, and is displayed on-site for visitors to appreciate. This not only echoes the theme of the exhibition but also expresses respect for the artistic ethics of the artists, adding scholarly elegance to the exhibition.
This exhibition is a high-level academic collection of Chinese paintings and an important way to make traditional culture accessible to the public. Through the masterpieces by renowned artists, distinctive designs, and public access, the exhibition will promote the inheritance of Chinese painting art and the spiritual essence of Chinese aesthetics, and provide a vivid example of how traditional culture can be activated and developed in the modern era.
（责编：刘升、张彦）
文化大家
